Working across mediums including photography, audio, installation and video, my practice focuses on how representation is used in image-making and how difference can be negotiated through perception/reception, and the materiality of photographs.
I hold a BSc (Biology) from McGill University and an MFA from the Milton Avery Graduate School of the Arts, Bard College. My works are part of private and public collections including those of the Fukuoka Asian Art Museum, Japan, Singapore Art Museum, Hong Kong Heritage Museum, National Taiwan Museum of Fine Art, Chau Chak Wing Museum, Sydney, and Mount Holyoke College Art Museum, USA. I have received awards such as the WMA prize (Hong Kong), and the Art Creation Fund (NAC SG), and my work has been the subject of academic articles in peer-reviewed journals including the Trans Asia Photography (TAP) Review and Southeast of Now, and art publications such as OSMOS and ArtAsiaPacific.
Recent solo exhibitions have been presented with institutions such as University of Sydney Verge Gallery and WMA Space (Abridge 2021), NUS Museum Singapore (Discordant Symmetries 2010-2011, Crossings 2018-2019), Australian National University CIW Gallery (The Other Shore, 2016), Chulalongkorn University Art Center (Convergence, 2012). Group exhibitions with spaces including National Gallery Singapore, ARTER Space for Art, Istanbul, Tokyo Metropolitan Museum of Photography, the Bangkok Art and Culture Centre, Cemeti Art House, Yogyakarta, VER Gallery, Bangkok, and festivals such as the Asian Art Biennial (Taiwan), Daegu Photo Biennale (S. Korea) and Noorderlicht International Photo Festival (the Netherlands).
I have artist collaborations - Progressive Disintegrations (with Marc Gloede, Hilmi Johandi, and Chua Chye Teck, Singapore, 2020-present) and Sightlines (with Michelle Wong, C&G Artpartment, Lam Wing Sze, Kin Choi Lam, South Ho, Hong Kong, 2016-2019) where we work through ideas of communality and authorship through art and exhibition making. My research has been supported by academic institutions such as the Australian National University Centre on China in the World, School of Art and Inkjet Print Research Lab (for The Other Shore), University of Sydney China Studies Centre (Abridge) and through residencies and workshops with organisations such as the Vasl Artists' Association, Pakistan, Nanyang Technological University Centre for Contemporary Art (NTU CCA) Singapore, and Objectifs Centre for Photography and Filmmaking, Singapore.
My practice is informed by my work in education and the media industry as lecturer, photographer, and photo editor.
EDUCATION
Master of Fine Art (Photography) Milton Avery Graduate School of the Arts, Bard College, USA
Bachelor of Science (Biology, minor in Humanistic Studies) McGill University, Canada
MUSEUM COLLECTIONS
Fukuoka Asian Art Museum, Japan
Singapore Art Museum, Singapore
National Taiwan Museum of Fine Arts, Taiwan
Fotomuseum Winterthur and Fotostiftung Schweiz Fotobibliothek, Switzerland
Heritage Museum, Hong Kong
Kiyosato Museum of Photographic Arts, Japan
Chau Chak Wing Museum, University of Sydney, Australia
Mount Holyoke College Art Museum, USA
National University of Singapore (NUS) Museum, Singapore
SOLO EXHIBITIONS
2022+23
- Yeo Workshop+Crane Joo Chiat, View From This Side, Singapore
2021
- Wyng Foundation WMA Space, Abridge, Hong Kong
- University of Sydney Verge Gallery, Sydney, Abridge, Australia
2018-9
- NUS Museum, Crossings, Singapore (4 iterations)
2016
- Peninsular, Untitled, Singapore
- Australian National University CIW Gallery, The Other Shore, Canberra, Australia
2015
- Chan Hampe Galleries, How did we get here, Singapore
2014
- Lumenvisum, Out of Place, Hong Kong
2012
- Chulalongkorn University Art Center, Bangkok, Convergence, Thailand
2010-11
- National University of Singapore (NUS) Museum Baba House, Discordant Symmetries, Singapore
2010
- Alliance Francaise Gallery, Slow Cool Breezes, Month of Photography Asia, Singapore
2009
- Fukuoka Asian Art Museum, Where do we go from here?, Winds of the Artist-in-Residence, Japan
2008
- Ooi Botos Gallery, Desultory Landscapes, Hong Kong
SELECTED GROUP EXHIBITIONS
2023
- National Gallery Singapore, Living Pictures: Photography in Southeast Asia, Singapore
- Fotomuseum Winterthur and Fotostiftung Schweiz, Wege und Wandel. Bilder aus der Diaspora, Switzerland
- Bangkok University Gallery, Onsite - An on-going project by expensivetobepoor, Bangkok, Thailand
- Objectifs Centre for Photography and Film, Making Space, Singapore
- Storage, [im]print, Bangkok, Thailand
- Art SG, From the Land of Gold Below the Winds in the South Seas, Singapore
- 39+ Art Space, Thinking about Abstraction, Singapore
2022
- National Gallery Singapore, Living Pictures: Photography in Southeast Asia, Singapore
- ASIA NOW, Yeo Workshop, Monnaie de Paris, Paris, France
- Gillman Barracks, Inside the Wild Cube, Singapore
2020-21
- Objectifs Centre for Photography and Film, Progressive Disintegrations, Singapore
- National Arts Council, Streets of Hope, Singapore
2019
- Nanyang Technological University Centre for Contemporary Art (NTU CCA), Residencies OPEN x Art After Dark, Singapore
- NTU CCA, Residencies OPEN, Singapore
- Hong Kong Art Centre Experimental Gallery, Sightlines, Hong Kong
- Christie’s, Asia Art Archive Annual Fundraiser 2019, Hong Kong
- Secretariat (with Goethe Institut Yangon and Bangkok Art and Culture Centre), Concept Context Contestation, Yangon, Myanmar
2018
- LASALLE Institute for Contemporary Arts, Moving Pledges, Singapore
- Jut Art Museum, The Flying Land, Taipei, Taiwan
- Bard UBS Exhibition Center, Setup, NY, USA
2017
- Art Basel HK with Asia Art Archive, Under the Influence, Hong Kong
- Ballarat International Foto Biennale, Performance of Identity, Australia
- Chinese Culture Center of San Francisco : 41 Ross, New Urban Legend: Resistance of Space, USA
- WMA Masters at Comix Home Base, Mobility, Hong Kong
2016
- Daegu Arts and Culture Center, Daegu Photo Biennale 2016: We are from somewhere, but where are we going?, South Korea
- Cemeti Art House, Concept Context Contestation, Yogyakarta, Indonesia
- JCCAC L0 Gallery (with European Photography Magazine), Hong Kong Contemporary Photography 2016, Hong Kong
2015
- Lianzhou Photography Festival, Expanded Geographies, China
- FORMAT Festival, Evidence, Derby, U.K.
- Goethe Institut Hanoi, Concept Context Contestation, Vietnam
- Palace 66 (with Hong Kong International Photo Festival), 300 Families, Shenyang, China
- Bonhams, Prints, Photographs and Works on Paper Auction, Hong Kong
- Full Circle Gallery, Residue, Karachi, Pakistan
2014
- ARTER Space for Art, The Roving Eye: Contemporary Art From Southeast Asia, Istanbul, Turkey
- Tokyo Metropolitan Museum of Photography, Basically.Forever – KMOPA, Japan
- Beijing World Art Museum, Hong Kong and Macao Visual Arts Biennial, China
- Yuejin Lantern Festival, Yanshui Days, Yanshuei, Taiwan
2013-14
- Bangkok Art and Culture Centre (BACC), Concept Context Contestation: Art and the Collective in Southeast Asia, Bangkok, Thailand
2013
- National Taiwan Museum of Fine Arts, Asian Art Biennial: Everyday Life, Taichung, Taiwan
- National Museum of Singapore, Samsung Masterpieces, Singapore
- Hong Kong Design Institute, Hong Kong International Photo Festival Flare: 300 Families, Hong Kong
- Seoul Photo 2013 (with Kiyosato Museum of Photographic Arts), YP13, , South Korea
- ArtisTree, WYNG Masters Award Exhibition, Hong Kong
- Galerie Steph+Botos. at Scotts Square, Bright Lights, Singapore
- Galerie Steph, P.O.V.: Alternate Perspectives In Asian Contemporary Photography, Singapore
2012
- Singapore Art Museum 8Q, DiverseCity, Singapore
- Para Site Art Space, Moving Up, Hong Kong
- Selasar Sunaryo Art Space, STILL BUILDING, Bandung, Indonesia
- Valentine Willie Fine Art, STILL BUILDING, Singapore
- Valentine Willie Fine Art, Singapore Survey 2012: New Strange Faces, Singapore
- Objectifs Centre for Photography and Filmmaking, Portraiture Now, Singapore
- ART HK (with HK Arts Promotion Office), 12 Oil Street Project, Hong Kong
2011-12
- Stacion – Center for Contemporary Art Prishtina, I have also other favorites, Kosovo
2011
- Sotheby’s Hall HKCEC and Kee Club, Sotheby’s Hong Kong Spring Auction 2011, Hong Kong
- Delhi Photo Festival 2011, Affinity, New Delhi, India
- Millenium Walk, ICON de Martell Cordon Bleu Profile Exhibition, Singapore
2010
- Fukuoka Asian Art Museum, All About Fukuoka: The 10 Years of FAAM Artist-in-Residence Program, Japan
- Hong Kong Heritage Museum, City Flaneur: Social Documentary Photography, Hong Kong
- National Museum of Singapore, Human Faces, Singapore
- Gallery VER with Para Site Art Space, Grid versus Chaos, Bangkok, Thailand
- Kiyosato Museum of Photographic Arts, Young Portfolio Acquisitions 2009, Japan
- Valentine Willie Fine Art, Singapore Survey 2010: Beyond LKY, Singapore
- Para Site Art Space, ArtMART 2010, Hong Kong
2009
- Former Natur Museum, Noorderlicht International Photofestival 2009: The Pursuit of Happiness, Groningen, The Netherlands
- LASALLE Institute of Contemporary Art Earl Lu Gallery, Traces, Singapore
- 3. Internationales Fotografiefestival F/Stop, Where do we go from here?, Leipzig, Germany
- Palazzo delle Esposizioni, Fotografia International Festival of Rome: Declinations of Joy, Rome, Italy
- Para Site Art Space, ArtMART 2009, Hong Kong
- Photo MIAMI 2009 (with Charles Guice Contemporary), Miami, USA
2008
- Kiyosato Museum of Photographic Arts, Young Portfolio Acquisitions 2007, Japan
- The University of the Arts Gallery 1401, The Photo Review 2008, Philadelphia, USA
- O’Born Contemporary, Document, Toronto, Canada
2007
- Singapore Art Museum, Singapore Art Exhibition 2007 in Singapore Art Show, Singapore
- Kiyosato Museum of Photographic Arts, Young Portfolio Acquisitions 2006, Japan
- Museo de Arte Contemporaneo, PhotoEspana 2007: Descubrimientos Phe07, Madrid, Spain
- PhotoEspana 2007, Projections of the Night of Photography, Madrid, Spain
- Grotto Fine Art, Group Exhibition, Hong Kong
COLLABORATIVE PROJECTS
2020- ongoing
Progressive Disintegrations: Wei Leng Tay, Marc Gloede, Hilmi Johandi, Chua Chye Teck
2016- 2019
Sightlines (Hong Kong): Wei Leng Tay, Michelle Wong, C&G Artpartment, South Ho Siu Nam, Kinchoi Lam, Lam Wing Sze
CURATORIAL PROJECTS
2021
Stories that Matter: Mediation/Circulation Public Talks and Workshop (co-curated with Chelsea Chua), Objectifs Centre for Photography and Filmmaking, Singapore
2020
Documentary Photo Awards: Rony Zakaria: Pantura: Where are you, Mr Daendels?, Objectifs Centre for Photography and Filmmaking, Singapore (exhibition curator)
RESIDENCIES AND COMMISSIONS
2019
- Nanyang Technological University Centre for Contemporary Art (NTU CCA) Singapore Residencies Programme, Singapore
- Centro de Creación Contemporanea de Andalucía, Artist Residency, Cordoba, Spain
2017
- Vasl Artists’ Collective Artist Residency, Karachi, Pakistan
2016
- Australian National University School of Art, Visiting Artist Residency, Canberra, Australia
2015
- Vasl Artists’ Collective Artist Residency, Karachi, Pakistan
- FORMAT Festival and WYNG Masters Award, Participatory Project, Derby, U.K. and Hong Kong
2013-14
- Yuejin Lantern Festival Site-Specific Project, Yanshui, Taiwan
2011
- Hong Kong Arts Promotion Office, 12 Oil Street Project, Hong Kong
2009
- Fukuoka Asian Art Museum, Artist-in-Residence, Fukuoka, Japan
- The Art Incubator Residency (with Objectifs Centre for Photography and Film), Singapore
SELECTED AWARDS
2023
- Yale-NUS College, Chen Chong Swee Asian Arts Programme Award, Singapore
2022
- Harvard University Peabody Museum, Finalist, Robert Gardner Fellowship in Photography, USA
2021
- National Arts Council, SEP Grant, Singapore
2020
- Tote Board, Arts Fund, Singapore
- National Arts Council, Digital Presentation Grant, Singapore
2019
- University of Sydney China Studies Centre Fund, Australia
2018
- Bard College, Bard MFA Fellowship, USA
2017
- Bard College, Bard MFA Fellowship, USA
- Wyng Foundation, Winner, Wyng Masters Award, Hong Kong
- Hong Kong Arts Development Council, Project Grant, Hong Kong
- Tote Board, Arts Fund, Singapore
2016
- Bard College, Bard MFA Fellowship, USA
2015
- Yale University School of Art, Poynter Fellowship, USA
2012
- Wyng Foundation, Finalist, WYNG Masters Award, Hong Kong
- Singapore International Foundation, Singapore Internationale Grant, Singapore
2011
- ICON Martell de Cordon Bleu Photography Prize 2011, Finalist, Singapore
- National Heritage Board, Heritage Industry Incentive Programme (Hi2P) Grant, Singapore
2009
- Singapore International Foundation, Singapore Internationale Grant, Singapore
- National Arts Council, Arts Creation Fund, Singapore
- Singapore International Foundation Sponsorship, Singapore
2007
- PhotoEspana 2007, Finalist, Descubrimientos Prize, Madrid, Spain
SELECTED ARTIST LECTURES / PRESENTATIONS / WORKSHOPS
2023
2022
2021
2020
2019
2018
2017
2016
2015
2014
2013
2012
2011
2010
2009
BIBLIOGRAPHY
Published books/zines/essays
- Wei Leng Tay, Convergence, monograph, 2013
- Inside the Wild Cube. co-authors: Chua Chye Teck, Hilmi Johandi, Wei Leng Tay,
Marc Gloede, Brian O’Doherty. Printed on the occasion of the exhibition Inside the Wild Cube at Gillman Barracks, Singapore, 2022
- Progressive Disintegrations. co-authors: Chua Chye Teck, Hilmi Johandi, Wei Leng Tay, Marc Gloede. Printed on the occasion of the exhibition Progressive Disintegrations with Objectifs Centre for Photography and Film, Singapore, 2021
- Sightlines II, co-edited and introduction co-written by Wei Leng Tay and Michelle Wong. Printed on the occasion of the exhibition Sightlines at Hong Kong Arts Centre’s Experimental Gallery, 2019
- Sightlines, co-edited and essays co-written by Wei Leng Tay and Michelle Wong. Printed on the occasion of the exhibition New Urban Legend: Resistance of Space, with 41 Ross, Chinese Culture Center of San Francisco, 2017
- #Session 2, Co-edited with Siddhartha Perez, Peninsular, 2017
- How did we get here, essays by Robin Peckham and Lisa Botos, co-edited by Wei Leng Tay and Lisa Botos, solo exhibition catalogue, Chanhampe Galleries, 2015
Peer-Reviewed Journal Article
- Wei Leng Tay, Olivier Krischer. “An Abridged Conversation in Acts,” ISSUE No. 9, LASALLE College of the Arts, 2021
Book Chapters
- Olivier Krischer and Wei Leng Tay. “Excerpts from a conversation,” Crossings, solo exhibition catalogue, NUS Museum, 2019
- Anthony W. Lee with Pok Chi Lau, Surendra Lawoti, and Wei Leng Tay. “Photography and Diaspora: A roundtable.” Photography and Migration, ed. Tanya Sheehan, Routledge, 2018. Chapter 11
- Introduction and interview, e-brochure printed on the occasion of the exhibition Rony Zakaria: Pantura: Where are you, Mr. Daendels?, at Objectifs Centre for Photography and Film, Singapore, 2020
Works Cited and Reviewed (selected)
Kenneth Tay. “A Slow Descent: Through the Photographic Surfaces of Wei Leng Tay, Vandy Rattana and Poklong Anadang,” Living Pictures: Photography in Southeast Asia, National Gallery Singapore, 2022, pp. 360-365
Lee Weng Choy. “The Micro-history and the Photograph,” for solo exhibition View from This Side, Yeo Workshop, Singapore, Oct 2022
Michelle Wong. “Five Vignettes (on dust),” hakara: A bilingual journal of creative expression, 14th Edition: Barrier, Nov. 2021
Soo-Min Shim. "Mediating the Media: Politics and Place in Wei Leng Tay's Photo-Images,” Southeast of Now: Directions in Contemporary and Modern Art in Asia, Volume 5, Numbers 1 & 2, October 2021, pp. 359-364.
Chloe Morrissey. '“Abridge”: Wei Leng Tay,' ArtAsiaPacific Review, June 2021
Seet Yun Teng. “Progressive Disintegrations, Collective Accumulations,” Plural Art Magazine, 26/1/2021
Olivier Krischer. “Surface Tension: Hong Kong Photographs in Wei Leng Tay’s Abridge Project,” Trans Asia Photography (TAP) Review, Spring 2020, Hampshire College and Michigan Publishing, 2020
Kathleen Ditzig. “Wei Leng Tay: Live streaming, Prince Edward, 12/11/2019, 23:35:05-06,” OSMOS Magazine, Issue 20, 2020
Fang-Tze Hsu. “Between Not Yet and Nevermore: Wei Leng Tay’s Fugitive Images,” Crossings, solo exhibition catalogue, NUS Museum, 2019
Siddharta Perez. “Time Between,” Crossings, solo exhibition catalogue, NUS Museum, 2019
Jessica Clifford. “'Crossings' with Wei Leng Tay at NUS Museum, Singapore – artist profile + in conversation," Art Radar, 5/11/2018
Roger Nelson. “Fragmentation and complexity in Crossings by Wei Leng Tay,” Artlink Issue 38:3, September 2018
APB Foundation Signature Art Prize 2018 Catalogue, Singapore Art Museum, 2018
Mobility: WMA Masters, prize exhibition catalogue, Wyng Foundation, 2017
We are from somewhere, but where are we going?, exhibition catalogue, Daegu Photo Biennale 2016
Olivier Krischer. “Insight and Identity,” Portrait 53, National Portrait Gallery Australia, Winter 2016
Annette Liu and Esther Carlin. "Looking at Photomedia Artist Wei Leng Tay's 'The Other Shore' -- Olivier Krischer interviewed by Annette Liu and Esther Carlin," Demos Journal Issue 4: Boundaries, 2016
Vasl 2015 Catalog, Vasl Artists’ Collective, 2016
“Hong Kong,” European Photography vol. 99, 2016
Expanded Geographies, exhibition catalogue, Lianzhou Photography Festival, 2015
Patricia Lee. “The Unfiltered Lens: Tay Wei Leng,“ The U Press N˚10, Underscore, 2015
Robin Peckham. “Reading a photograph by Wei Leng Tay,” How did we get here, solo exhibition catalogue, Chanhampe Galleries, 2015
Lisa Botos. “Out of Place,” How did we get here, solo exhibition catalogue, Chanhampe Galleries, 2015
Anthony W. Lee. “Photography & Diaspora: A roundtable with Pok Chi Lau, Surendra Lawoti, and Wei Leng Tay,” Trans Asia Photography (TAP) Review, 2014
The Roving Eye: Contemporary Art From Southeast Asia, exhibition catalogue, ARTER Space for Art, 2014
Olivier Krischer. “Slow Cool Breezes,” Photofile vol. 94, Australian Centre for Photography, 2014
Concept, Context, Contestation, exhibition catalogue, Bangkok Art and Culture Centre, 2014
Iris Huang. Everyday Life, Asian Art Biennial, exhibition catalogue, National Taiwan Museum of Fine Arts, 2013
300 Families, exhibition catalogue, Hong Kong International Photography Festival Flare, 2013
STILL BUILDING, exhibition catalogue, Selasar Sunaryo Art Space, 2012
“Like Boys,” WERK No 19, 2012
Affinity, exhibition catalogue, Delhi Photo Festival 2011, India Habitat Centre and Nazar Foundation, 2011
Alvaro Fominaya. “Wei Leng Tay: Images of the Unfamiliar Familiarity,” Punctum, Issue 1, 2011
City Flaneur: Social Documentary Photography, exhibition catalogue, Hong Kong Heritage Museum, 2010
Qinyi Lim. “Introduction,” Discordant Symmetries, solo exhibition catalogue, NUS Museum, 2010
John Rohrbach. “Photographing Your Own,” Discordant Symmetries, solo exhibition catalogue, NUS Museum, 2010
Ooi Kee Beng. “Can Cultural Identity Travel?” Discordant Symmetries, solo exhibition catalogue, NUS Museum, 2010
“Interior Living,” Daylight Magazine, May 2010
“Outside,” Ojodepez, #20, 2010
Photographs by the Next Generation: 2009, exhibition catalogue, Kiyosato Museum of Photographic Arts, 2010
The Pursuit of Happiness, exhibition catalogue, Noorderlicht 2009
Traces, exhibition catalogue, The Art Incubator 2009
“Where do we go from here?,” exhibition catalogue, F/Stop Katalog 2009
La Gioia - visioni e rappresentazioni, exhibition catalogue, Fotografia - Festival Internazionale di Roma 2009
May Lyn L. Cruz. At home, at ease?, Fukuoka Asian Art Museum curator-in-residence, 2009
Yeewan Koon. “How strange the familiar is: Review of Shi Guorui and Wei Leng Tay,” Muse No. 19, East Slope Publishing, Aug 2008
Anthony W. Lee. “Homely Spaces,” Desultory Landscapes, solo exhibition catalogue, Ooi Botos Gallery, 2008
“Un Día Cualquiera,” OjodePez, #12, 2008
Photographs by the Next Generation: 2007, exhibition catalogue, Kiyosato Museum of Photographic Arts, 2008
Photographs by the Next Generation: 2006, exhibition catalogue, Kiyosato Museum of
Photographic Arts, 2007
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